Gary Hill Movies
- 1978
Primary
Primary01978HD
The artist’s mouth fills the whole image plane. Silently the words “red,” “blue,” “green” are slowly and...
- 2004
Gary Hill: I Believe It Is an Image
Gary Hill: I Believe It Is an Image02004HD
In this program video artist Gary Hill uses a number of his pieces to investigate otherness and ambiguity, dislocation of the senses, the boundary...
- 2011
The Psychedelic Gedankenexperiment
The Psychedelic Gedankenexperiment02011HD
The Psychedelic Gedankenexperiment is a declaration claiming the psychoactive event of lysergic acid diethylamide (LSD) as a "found performance" and...
- 2008
Observaciones Sobre los Colores
Observaciones Sobre los Colores02008HD
Observaciones Sobre los Colores consists of a single video projection in which a boy reads a Spanish translation of Wittgenstein's Remarks on Color,...
- 2008
Figuring Grounds
Figuring Grounds02008HD
Figuring Grounds – like Tale Enclosure, 1985 – was edited from three hours of recordings made at the Stained Glass Studio in Barrytown,...
- 1988
Disturbance (among the jars)
Disturbance (among the jars)01988HD
Disturbance (among the jars) is a multi-lingual adaptation of selected Gnostic texts from the Nag Hammadi library discovered in 1945/46. The...
- 1978
Elements
Elements01978HD
One of the earlier works Hill produced on the Rutt/Etra video synthesizer, Elements combines abstract “landscapes” with fragmented...
- 2001
Goats & Sheep
Goats & Sheep02001HD
Goats and Sheep uses the source material of the installation Withershins, 1995, consisting of two simultaneous views of a person signing: the hands...
- 1978
Full Circle
Full Circle01978HD
“The image plane is divided into three sections. In the lower half, a close-up of two hands form a circle out of a metal rod. The upper half of...
- 1980
Black/White/Text
Black/White/Text01980HD
Using the phenomenon of inverted (or negative) video feedback, this work constructs a one-to-one correspondence between recited text and image. Black...
- 1979
Resolution
Resolution01979HD
A single solid white line rotates 180 degrees, beginning at a vertical position in the middle of the screen. At first, it forms...
- 1975
AXIS
AXIS01975HD
“I was thinking of the camera as a kind of archeological tool that I could use to dig into or slice through the landscape —one among many...
- 1974
Air Raid
Air Raid01974HD
The strategy for recording and composing Air Raid was derived from sound rather than image. This produced some unusual juxtapositions between images...
- 1977
Bathing
Bathing01977HD
In Bathing, as in his Mirror Road, Windows and Objects with Destinations, Hill uses the camera and image processing devices to explore the...
- 1978
Sums & Differences
Sums & Differences01978HD
The basis of this “sound/image construct,” recorded in real time, are three black-and-white still images: a keyboard, a flute, and an...
- 1986
Mediations (towards a remake of Soundings)
Mediations (towards a remake of Soundings)01986HD
“The beginning of a remake of an earlier work [Soundings, 1979] in which I wanted to extend the reflexivity of each text in relation to the...
- 1980
Processual Video
Processual Video01980HD
This piece was originally planned by the artist as a reading for the Viewpoint series at New York’s Museum of Modern Art. “It was an...
- 1980
Around & About
Around & About01980HD
“In 1979-80, I was teaching in the Media Studies Department at the State University of New York at Buffalo, filling in for Woody and Steina...
- 1983
Happenstance (part one of many parts)
Happenstance (part one of many parts)01983HD
The associative stream of images and sounds treats the word as an abstract structure. Spoken and written text flows from image to image, morphing...
- 1979
Soundings
Soundings01979HD
Two color video cameras, two microphones, Dave Jones prototype modules (input amplifiers, variable soft/hard keyers, output amplifier,...