Pierre Hébert Movies

Abstract film made from the video capture of a live animation performance presented in Vienna on May 30th 2011 at the Stadtkirche with Andrea...

"A film in which both sound and image were created with a minimum of photographic or electronic equipment. The images are a few simple geometric...

A 2021 film by Pierre Hébert

A palimpsest engraved on 35 mm black leader over the film Prison by LRobert apoujade (1962).

Originally, the images of Variations on two photographs by Tina Modotti were engraved directly on 16mm film to be projected as a backdrop for Louis...

At the end of 2016, some circonstances made that after a gap of 15 years I resumed scratching directly on film. I first made a series of thirty one...

“In Green / Gray Story, for the most part, [one saw] vertical streaks and textures, with patterns that flew by. It was partly washed film on...

In a world where work rhymes with identity and productivity, we meet a man in his fifties who has not worked for several years. A question is asked:...

Under the watchful eye of a father, a child is born (first steps, named things) to a brand new awareness of the world.

Gives us a glimpse of a life which remains very monotonous despite the social upheavals that mark the country.

Cycling Utrecht is number seven in the «Places and Monuments» series. As with all the other opus of this series, the live action images...

Scratched directly onto 35mm film stock, this abstract film is a visual interpretation of a piece for solo violin based on a Bosnian popular song...

Such diverse modes of expression as dance, music, poetic narration and images drawn directly on film combine to tell the story of a letter and the...

In this animation film without words, filmmaker Pierre Hébert and musicians Robert Lepage and René Lussier worked together, and...

Short animation from Tali

In Adieu bipède (1987), Hébert turned to performance, using the scratching technique for the scenes with dancing and music. He used the...

First, about ten years ago, there was a text by Paule Marier. Then, René Lussier made a song from that text for his 2014 album (Toucher une...